Thursday, October 31, 2013

D'Luca Featherweight Cello Protective Hard Case 1/4

D'Luca Featherweight Cello Protective Hard Case 1/4

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Product Feature

  • featherweight cello case
  • lightweight mobility for your instrument

Product Description

This featherweight cello case with Wheels offers incredible protection and lightweight mobility for your instrument. Beautiful interior and thick durable side back and top construction to keep your cello safe. Fits most European and Suzuki cello sizes.

D'Luca Featherweight Cello Protective Hard Case 1/4 Review

The 1/4 cello we recently got is my daughter's first cello, and we are soon going to start her with Suzuki lessons. The cello we got came with a soft, unstructured case (a gig bag), but I wanted something more secure for the cello, so I ordered this case. I didn't realize that there are two different "standard" sizes for cellos: the European standard size and the Suzuki standard size. A European standard size 1/4 cello has a *body* length of 23". A Suzuki standard size 1/4 cello has a *body* length of 20". Of course, there can be some variation in body length. For instance, my daughter's cello has a body length of 21". Even though the description of this case says that it "Fits most European and Suzuki cello sizes," I believe that it would only fit a European sized 1/4 cello because it sure didn't fit our 21" (body length) cello, so there's no way it would fit a 20". The main body space of the case measures 24".

That being said, there aren't many choices if you want a lightweight hard case for a 1/4 cello. I think I've seen one other, but I have no expectation that it would fit any better than this case does, so I decided to modify this case to make it fit our Suzuki 1/4 cello rather than deal with the hassle of paying for shipping to send it back and then getting another case that might not fit any better.

I've uploaded a bunch of pictures so you can take a look at the modifications I'm going to talk about. The main problem with the case is that--well, it's too big, that's the problem--but this manifests as a problem with the head of the cello fitting into the head space of the case. It doesn't, and it doesn't because the part of the case that is supposed to fit into the C bouts of the cello is too big/long. I decided to shorten this part of the case, thereby allowing the head to move up and fit into the head space.

Shortening this part of the case wasn't difficult. The entire case is made out of styrofoam with some cheap velvet covering it on the inside. I used an exacto knife to cut the velvet on the seams. I then pealed it back and revealed the styrofoam underneath. I again used the exacto knife to cut out the styrofoam until I got enough of it removed so that the cello would move up high enough that the cello head would fit properly in the head space. I removed about 1.5" in length from the bottom of this C bout section. To cover up the now exposed styrofoam, I used some pale pink ultrasuede that I happened to have on hand, but you could use anything--even some paper from a paper grocery bag would do the trick. Gluing onto the styrofoam was a bit tricky. I couldn't get regular Elmer's glue to work because the hacked styrofoam was so bumpy and flaky, so I ended up using Shoe Goo. (See pictures.)

As I said, the result was that the head of the cello fit in the head space. The other result was that there was now a lot of space between the bottom of the case and the bottom of the cello. I used some fabric I had, rolled it up and sewed it with a quick whip stitch so that it would stay in the roll, and then put the rolled fabric into the space between the bottom of the cello and the bottom of the case to keep the cello from bouncing around too much in the case. At last, though, the cello was fitting and secure in the case. (See pictures.)

There are a couple of other annoying things about the case. For one, the strap at the bottom of the case that connects the base of the case to the lid of the case to keep it from over-opening (I guess? Most instrument cases have this feature, so it must be important), was WAY too short, like about 2" - 3" too short. The lid would not stay open AT ALL. I had to jam my elbow at it and try to slide the cello out with one hand. Even though it's a 1/4 size cello, it's still not tiny and using both hands is how I would prefer to take it out (and put it in) the case, so this was a problem. I decided to cut this strap so the lid would stay open. I ended up adding in 2" - 3" to the strap with some gros ribbon I had so that it's still there doing whatever it's supposed to do.

The another thing that is annoying about the case is that the music pocket on the back of the case is 1/2" too small to hold the Suzuki book (which is the standard size of music books, by the way). What is the point of having a music pocket if it is too small to hold music books? Sometimes the case is too small, like for a 1/4 size violin, let's say. But there's no such excuse with this case. It's more than wide enough to accommodate an adequately sized music pocket.

My one last complaint about the case is that it's not really padded in any way. Like I said above, it's cheap velvet directly over styrofoam--and styrofoam is not cushiony. If there was the faux fur lining that is in my guitar case, for instance, that would be something, but this is not that. I assume the cello will be fine, but I wish the interior were nicer.

Okay! I've complained about the case A LOT! But hopefully it will do the job for the length of time that my daughter is playing this size cello. And it is extremely lightweight, so that is good. It looks nice from the outside.

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Wednesday, October 30, 2013

D-TAR Wave-Length Pickup System

D-TAR Wave-Length Pickup System

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Product Feature

  • Unitary full length pickup accommodates virtually all 6-string spacings Thin cable design easy installs in guitars with either 1/8" or 3/32" saddles, often with no modification to the saddle slot.High Headroom allows for twice the dynamic range of a 9-volt system. Uses two "AA" batteries Dual Source Capability allows the user to combine the wave-length with a magnetic pickup or soundboard transducer for greater complexity of signalAdjustable bass and treble trim controls

Product Description

The D-TAR Wave-Length combines a thin, piezo under-saddle transducer with an 18v, low-noise, high input impedance preamp, to create a pickup system with twice the dynamic range of typical 9v systems. The 18v preamp is powered by two AA batteries. With 18 volts, your signal has more headroom, so hard strumming won't distort as easily. The Wave-Length preamp also has an input for a second source, like a magnetic pickup or a soundboard transducer.Two adjustable trim pots, one low frequency shelving and one high frequency shelving, allow you to fine tune and set and forget the bass and treble frequencies to optimize the Wave-Length pickup and preamp for your instrument's size and shape; enabling you to transparently amplify the natural timbre of your acoustic guitar with minimal coloration. D-TAR includes a 1/4 " jack (jack 6,35) and detailed installation instructions with the Wave-Length undersaddle pickup and preamp.D-TAR - Duncan/Turner Acoustic ResearchSeymour Duncan and Rick Turner are two legends who spent years working with musicians, perfecting their tone. Seymour founded his self-named company in 1978 which has become well-known for its wide variety of guitar and bass pickups used by just about every name player from Billie Joe Armstrong to Angus Young. Rick co-founded Alembic, was president of Gibson Labs West Coast R&D Division, co-founded Highlander Musical Audio making piezo acoustic guitar pickups for Lindsay Buckingham, Ry Cooder, David Lindley, and Andy Summers, and runs his own Renaissance Guitars. Now Seymour and Rick are working together to create innovative products for acoustic musicians. Their D-TAR motto: "With respect to acoustic tone."

D-TAR Wave-Length Pickup System Review

This pickup is a work of art. Sounds amazing and is easy to install. I tried many others and found this one to be the best.

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Tuesday, October 29, 2013

Denis Wick DW4880-4BL Gold-plated Large Bore Trombone Mouthpiece

Denis Wick DW4880-4BL Gold-plated Large Bore Trombone Mouthpiece

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Product Feature

  • Denis Wick develops his trombone mouthpieces to help players achieve clarity, warmth and beauty of sound that no other manufacturer has been able to duplicate.
  • His attention to detail and dedication to his craft has brought intonation and flexibility to near perfection, creating the highest standard in trombone mouthpieces.
  • Ideal for solo playing. �Excellent range with even tone production.
  • Cup Diameter: 26.00mm. Rim width: 6.72mm. Throat: 7.12mm. Backbore: Medium. Large shank.

Product Description

Denis Wick develops his trombone mouthpieces to help players achieve clarity, warmth and beauty of sound that no other manufacturer has been able to duplicate. His attention to detail and dedication to his craft has brought intonation and flexibility to near perfection, creating the highest standard in trombone mouthpieces.

Denis Wick DW4880-4BL Gold-plated Large Bore Trombone Mouthpiece Review

This review is coming from an advanced-novice musician. This is an excellent practice mute for beginner/casual trumpet players. Better (and much more expensive) mutes exist, but the Denis Wick DW5526 is likely a good choice for anyone who is a casual enough player to be seeking advice from an Amazon review.

For those confused by the large number/variety of mutes available for purchase, here's a brief simplification:

1. Practice mutes (like this one) have a solid ring of cork around the end. They are designed to quiet the instrument by blocking most of the airflow. This affects the pitch of the instrument (they tend to go sharp, even with the best mutes) and are therefore never used during performance. They are meant for use during practice, to make practice less disturbing to those nearby.

2. Performance mutes have strips of cork rather than a solid ring, allowing for much more airflow. They come in numerous shapes and sizes, each producing a different effect, and do not quiet the instrument as much as practice mutes.

3. Electronic mutes correct for pitch while simultaneously quieting (or even silencing) the instrument. They are very expensive and generally only a worthwhile purchase for serious professionals.

From my experience, Denis Wick products are of a high quality, made in London by people who know what they are doing. There are some less expensive mutes available, but, trust me, the ten or fifteen extra dollars you spend to get the Denis Wick are more than worth it. The cheaper mutes tend to be of poorer quality (often made with cheaper materials). They do not quiet the instrument nearly as much as this one does, and they have a much more negative effect on pitch.

If you're wondering how loud you will be while playing with this mute, I would compare the sound to that of average television-watching volume. Those in neighboring rooms may hear you through the wall, but what they hear will be more of a murmur than the blaring noise of an un-muted trumpet. If you don't like the 'W' decal on the side of this mute, it is a sticker and is easily removed.

In short, the Denis Wick DW5526 is a handsome, high-quality practice mute. It is, in my opinion, the best of the low-to-mid-priced mutes available.

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Monday, October 28, 2013

Denis Wick Straight Mute for Euphonium

Denis Wick Straight Mute for Euphonium

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Product Feature

  • Straight 5513 Aluminum

Product Description

Made from high purity spun aluminum, these handmade mutes blend perfectly, provide unmatched brilliance and projection, and have excellent intonation. Denis Wick offers the most comprehensive line of straight mutes available.

Denis Wick Straight Mute for Euphonium Review

I had one of those stone-lined mutes for several years, when I played a euphonium with an 11" bell. When I moved to a euphonium with a 12" bell, the stone-lined mute was too small and made the horn go terribly out-of-pitch. I bought this Denis Wick spun aluminum mute and it works very well with my new euphonium. It's a bit large and awkward to carry around, although it does have a convenient leather handle on the end. The important thing is that it does the job with my 12'-bell euphonium!

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Sunday, October 27, 2013

Digidesign Digi 003 Rack & Factory

Digidesign Digi 003 Rack & Factory

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Product Feature

  • Digi 003 Rack Factory
  • High-speed FireWire connectivity
  • 18 simultaneous channels of audio I/O
  • 24-bit/96 kHz resolution

Product Description

With an extensive range of audio and MIDI I/O, high-definition audio resolution, the creativity and speed of industry-standard Pro Tools software, FireWire connectivity, and a big, comprehensive bundle of powerful software included free, 003 Rack Factory enables you to attain the same high audio production quality as commercial facilities in your own personal or project studio.Take advantage of the plethora of I/O to connect and monitor all of your studio equipment. Its streamlined design will help save space in even the most gear-packed studio, and give you the freedom to take a professional Pro Tools system anywhere your creative skills are needed – or inspired. And with over 80 powerful plug-ins, virtual instruments, and compatible applications included, you have everything you need (and then some) to compose, perform, record, edit, mix, and master audio for music and desktop post production projects � � with truly professional results.Looking for a complete Pro Tools LE workstation geared for post production and music creation? Check out 003 Rack Factory Complete, which pairs 003 Rack Factory with the Complete Production Toolkit at great savings, providing full 7.1 surround mixing capabilities, up to 128 simultaneous audio tracks, and specialized tools and features for total post production and music creation versatility.003 Rack Factory also includes over $3,000 worth of additional professional plug-ins, plus an iLok USB Smart Key to handle your plug-in authorizations.

Digidesign Digi 003 Rack & Factory Review

The 003 just does the job for me. I have used mine for the past few years now and it is still kicking without any hiccups. Running protools 9 with the waves bundle has been nice. Overall the product has just worked, nothing bad to say. Go out and get one!

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Saturday, October 26, 2013

Ebony Cello Full-size 4/4 Fingerboard

Ebony Cello Full-size 4/4 Fingerboard

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Product Feature

  • Ebony
  • Fingerboard
  • Cello Full-Size 4/4

Product Description

Ebony 4/4 Cello Fingerboard. Finest Quality and Finish. Length: ~23 1/16"; Width: ~2 7/16" and 1 3/16" at the ends.

Ebony Cello Full-size 4/4 Fingerboard Review

This looked really nice when I received it but when I checked the flat side for flatness I found it wasn't flat at all. Upon further inspection I found there's about a 10 degree twist from the head end to the middle.

It's better than starting with a block of ebony but expect to do some serious planing to get it usable.

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Friday, October 25, 2013

EMINENCE REDFANG10 10-Inch Lead/Rhythm Guitar Speakers

EMINENCE REDFANG10 10-Inch Lead/Rhythm Guitar Speakers

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Product Feature

  • Red Fang a 10" guitar speaker with unique British voicing, a large alnico magnet, smooth distortion and rich harmonics.
  • Vintage British tone with loads of detail, chime and grit and a nicely defined low end
  • Ideal For: vintage classic British tone for blues, country, rock, indie and jazz

Product Description

Impedance: 8 ohms Power Rating: 50W Maximum Power: Frequency Response: 70Hz-4.5kHz Voice Coil Diameter: 1.75", 44.5mm Depth: 5.2", 132mm Coil Construction: Copper voice coil Magnet Composition: Alnico magnet Cone composition: Paper cone Nominal Basket Diameter:10", 254mm Sensitivity: 102 Magnet Weight: 35 ounce Core Details: Non-vented core Coil Former: Nomex former

EMINENCE REDFANG10 10-Inch Lead/Rhythm Guitar Speakers Review

This speaker kicks ass. It does everything I need it to do. I've been a working professional for 41 years.... [...]
I have a 8 piece horn band( we mic everything, Earth Wind & Fire, Kool & the Gang, etc....) and we play large corporate functions, fundraisers, weddings, and outdoor festivals.... 300-800 guests. I put the Red Fang in a Fender Super Champ X2. This is the best amp I have ever used, with this speaker in it. Dirk

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