Taylor Guitars 814ce Grand Auditorium Acoustic Electric Guitar
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Product Feature
- Solid Sitka Spruce Top
- Solid Indian Rosewood Back/Sides
- Grand Auditorium
- Cutaway; ES
- Hardshell Case Included
Product Description
Taylor's offering in Indian rosewood, the 800 Series traces its roots to the earliest Taylors. Bob Taylor's latest design changes speak of traditional lutherie in the form of hand-set, figured maple binding--it's a gorgeous upgrade that complements the beautiful hues of rosewood and sparkling inlay work. The exquisite 814ce brings together the unmistakable tone of rosewood, true Taylor styling, and the versatility of a Grand Auditorium body. A Venetian cutaway and Expression System pickup complete the perfect picking package.
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Taylor's Grand Auditorium Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitars tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removed mass from the width of the GAs braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.
 Features maple binding that complements the beautiful hues of rosewood and sparkling inlay work.</b> |
 Solid sitka spruce top is joined with Indian rosewood sides and back for a bright tone and strong bass response. |
A Venetian cutaway in the 814ce Grand Auditorium body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.
Made from Sitka and Indian Rosewood
The top is made from Sitka Spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It's these attributes that make Sitka Spruce an ideal material not only for soundboards, but also for internal bracing. The Sitka top will produce a tone slightly brighter tone than Engelmann Spruce.
The back and sides of the 814ce are made from Indian rosewood, which is coveted by players and guitar builders alike for its dark, luxurious coloration that ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars. Paired with the bright tone of Sitka spruce, it's an unstoppable combination.
Pure Reproduction of An Acoustic Sound
In the past, Taylor had relied on after-market pickups that employed traditional piezo technology. But the result was a distorted tone that failed to capture the natural acoustic richness and dynamics of a Taylor for live performance. After several years of research, Taylor designed their own groundbreaking pickup system that uses magnetics much like a microphone. The result is an exceptionally pure reproduction of an acoustic guitars natural sound. The Taylor Expression System delivers an amplified tone that will satisfy the most demanding pro player, yet makes it simple for anyone to plug in and sound great.
 The Taylor Expression System gives you a natural acoustic sound.</b> |
The Expression System incorporates three different magnetic sensors. Two strategically placed Dynamic Body Sensors affixed to the underside of the soundboard capture the complex nuances of the tops vibration, while a Dynamic String Sensor mounted beneath the fretboard extension registers string and neck vibration. The preamp boosts the pickup signal cleanly, without the need for artificial EQ "coloration." The balanced, low-impedance signal the Expression System produces can run direct into a mixer or PA in most situations, and is free of distortion at almost any volume.
Three simple, unintrusive onboard control knobs preserve the aesthetic beauty of your Taylor, yet allow you to easily adjust the volume, bass, and treble to suit your personal preferences and performance environment. When set flat, the tone controls add no color and produce the most natural sound. Or, add bass or treble (or subtract) to adjust for the room or personal tastes. The payoff is in the purity of high-fidelity amplified tone, unprecedented dynamic range, and extraordinary resistance to feedback and distortion. It enables all of the expressive subtleties of your playing to come through, just the way you intended.
Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods for the 814ce were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The 814ce pearl inlay and binding work was also done by hand, providing care and "touch" that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.
Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too "bassy," for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the 814ce is not compromised.
 Features ornate Pearl 800 Series inlays on fretboard. |
Straight Necks Matter
Don't all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon--often resulting in a slight bump at the 14th fret--but not all guitars respond to it in the same way.
Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.
</p>Taylor Guitars 814ce Grand Auditorium Acoustic Electric Guitar Review
The Taylor 814ce is an oustanding instrument. I played a LOT of other guitars in comparrison to this guitar. I will give a brief description of them and why I settled on this Taylor.The only guitar I played that had an even better voice was the Taylor 914ce. That really is a beautiful and outstanding guitar. The tuners are better, it projects better (really have to play it to believe me), and I think the pearl inlays are the most beautiful of any guitar. The negative is the price. If you really couldn't care less for paying another $1500ish dollars more, than get the 914ce.
In this price range, the next closest guitar to the 814ce is the Martin GPCPA1. I was 51-49 on the Taylor versus the Martin. The Martin had a better deep and rich low but the 814ce is a little brighter on the highs and blends better. If you do a lot of hard picking, you will find many Taylors have a slight buzz. The Martins do not. I would not change the action on this because it is not bad and I think seems to be a trademark of the Taylors, but I also found the Taylors to be a faster guitar and I think those that enjoy electric guitars will find they gravitate more towards Taylors. I also think the Taylor 814ce is a better strumming/picking guitar which I play a lot of (Dust in wind, Hotel CA, etc). Bottom line, I think the 814ce is only slightly better than the Martin equivalent, but I think the case could easily be made to go with the Martin.
The Gibson equivalent is probably the Songwriter. I wrote a review on this product already, but I will summarize here. The guitar is slow, the highs and lows don't match, and although it is not bad, I did not find that guitar anywhere in the ballpark of the Martins or Taylors equivalent (or other Gibsons). I went to multiple stores to play it and they all had the same issue. Gibson makes an AWESOME product, but not that one. You would be hard pressed to get it to play better than an Eastman or Yamaha (which cost about $500!!! versus $3000).
It is not mentioned here, but the pickup on the 814ce is outstanding. For those that play a gig you will like the sound and the system. You can also play with the tones by clicking on various pickups inside the guitar (not shown here). THe three buttons on the outside are volume, bass, treble with a click to find center.
ALl in all, you will find this guitar to be one of the finest guitars you can buy without going custom. It will be one that gets passed down to the kids. There are better guitars, but you really have to pony up for them and the tone difference is not vastly better (though the tuners on te 914ce awesome). I also want to say I love Gibson guitars, just not the songwriter. The best comparrison to this guitar is a Martin and that will be your hardest choice.
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